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2024 – GIUNGLA radicale, pt. 2

2024

Rooted and radical derive from root, yet refer to two distant meanings.

Rooted recalls belonging to a land, to a fixed place, to an identity, to something stable and firm.

Radical has for synonyms Jacobin, innovator, liberal, libertarian, novelist, progressive (see Treccani), it refers to those who tackle problems at their root.

GIUNGLA in 2024 questions itself around the ROOTS and its drifts of meaning, calling on artists and researchers to express themselves. Today, perhaps more so than yesterday, finding a balance between attachment to one’s own land and traditions, and the desire to migrate, to break with one’s past in order to build a (better?) future elsewhere, is increasingly strong everywhere in the world. In addition to the migratory flows of people fleeing poverty and war, there are also the expats, the remote workers, those who have wanted to break with their routines, quit their jobs and live in other countries and cultures. Lucca continues to be among the provinces with the highest rate of emigrants in Tuscany, second to Florence. On the other hand, finding a balance between being rooted and being radical, between tradition and innovation, between fixity and openness to change, raises issues related to welcoming the different, to translating past issues with the perspective of today. One only has to think of the generation gap that seems to be growing wider and wider, and of the inability to understand the world of young people that has developed with a technology that millennials are already struggling to understand. GIUNGLA Radicale then wants to interrogate themes ranging from migration to the digital divide, from craft practices to the artistic practices of the present.

 

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2024 – GIUNGLA radicale, pt. 1

2024
Carmine derives from Carmelo which means vineyard, orchard, or garden. From here the barefoot Carmelites take their name, or rather from Mount Carmel which, in Upper Galilee, was a place of prayer and contemplation. This religious order, mendicant (vow of poverty), worker and aimed at an ascetic practice, had its home in the centre of Lucca, in the monastery which in the 19th century was transformed into a city market. It is interesting how there is a semantic continuity between the ancient inhabitants of this building and the future merchants, both turned to the land, to the gifts of nature, to the cultivation of a garden, of a space made of exchange and sharing, of roots and prayers.